E-MAGAZINE 2026 – JANUARY EDITION!

COVER STORY:

The Afrobeats Takeover: Wizkid and Asake Rewrite the Global Playbook with ‘REAL, Vol. 1’

There are moments in music history that feel less like a release and more like a coronation. On January 23, 2026, the entertainment world hit a standstill as two of Africa’s most formidable titans, Wizkid and Asake, finally pulled the curtain back on their joint EP, REAL, Vol. 1.

For the 2 million of you following Entertainment Daily, you know we’ve been tracking this “Starboy x Mr. Money” synergy for a while. But even we didn’t expect the sheer scale of the earthquake this project would cause on the global charts. Within five hours of its release, the EP didn’t just climb; it sprinted to the top of the charts in 21 countries.

The Global Chart Invasion

The numbers coming out of the Apple Music and iTunes offices look like something out of a blockbuster movie script. REAL, Vol. 1 secured the Top New Entry on both the Worldwide and European Apple Music Album charts, debuting at #10 and #8 respectively.

Perhaps the most jaw-dropping feat is the project’s performance in the United States. In a market notoriously difficult for international EPs to crack, REAL repeaked at #4 on US Apple Music. Over on the iTunes side, the dominance continued with the 8th highest new entry worldwide and a top 25 debut in Europe. This isn’t just a win for Nigeria; it’s a statement to the world that Afrobeats is no longer a “guest” in the global room—it owns the house.

Inside the Magic: Four Tracks, No Skips

Clocking in as a tightly curated four-track experience, the EP relies on the sonic wizardry of longtime Asake collaborator Magicsticks, alongside producers like Lolu and 4Tunes. The project is a masterclass in “less is more,” blending Wizkid’s soulful, veteran polish with Asake’s high-energy, Fuji-infused street-pop.

• “Jogodo”: The history-maker. This lead single shattered the record for the highest single-day streams for a collaboration on Spotify Nigeria (1.38 million streams). It’s currently sitting pretty at #1 in seven different countries.

• “Turbulence”: A track that lives up to its name. It arrived with a cinematic music video that has fans dissecting every frame. It’s edgy, experimental, yet stays true to the dancefloor roots of the genre.

• “Iskolodo”: A bass-heavy anthem where the duo glides over Amapiano-adjacent rhythms, proving their chemistry is more than just business—it’s “real” friendship.

• “Alaye”: The closer that feels like a victory lap, leaning into heavy percussion and a lifestyle of luxury that both artists have spent years building.

The “Starboy” Effect: 10 Billion and Counting

While the EP is the talk of the town, Wizkid himself is celebrating a career-defining milestone. He has officially become the first African artist to surpass 10 billion streams on Spotify across all credits. The gravity of this cannot be overstated; it puts him in an elite bracket shared only by the world’s biggest pop stars.

The “Wizkid effect” was on full display the day after the EP dropped: 10 of his older tracks re-entered the Spotify Nigeria charts simultaneously. Currently, out of the top 200 songs in the country, Wizkid claims 35 of them. It’s a level of catalog dominance we rarely see.

A Cross-Generational Dialogue

What makes REAL, Vol. 1 the ultimate cover story isn’t just the data; it’s the narrative. It’s a bridge between two eras—the 17-year legacy of the man who opened the doors for African music globally, and the 5-year meteoric rise of the man currently reinventing its sound.

Asake and Wizkid didn’t just give us an EP; they gave us a blueprint for how superstars should collaborate—with intentionality, respect, and a shared goal of pushing the culture forward. If this is only “Volume 1,” the world better get ready for whatever comes next.

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 CONCERT SPOTLIGHT:

Curtains Down in Brussels: Burna Boy Concludes the ‘No Sign of Weakness’ Era with a 360-Degree Bang

If there was ever any doubt that Burna Boy is the king of the stage, Friday night in Brussels put that conversation to rest. The African Giant officially lowered the curtain on his massive “No Sign of Weakness” world tour at the ING Arena, and he didn’t just perform—he held court.

A sea of 15,000 fans packed into the arena, creating an electric atmosphere that felt more like a celebration of a movement than just a concert. For the 2 million of you watching at Entertainment Daily, this was the moment we’ve been waiting for: the final stop of a tour that has seen Burna cross continents and break barriers.

The 360-Degree Experience

The show featured a spectacular “in-the-round” 360-degree stage setup, placing Burna Boy right in the heart of his audience. It’s a bold move that only an artist of his confidence can pull off, ensuring there wasn’t a bad seat in the house.

From the second the lights dimmed, the energy was relentless. Backed by his powerhouse band and the rhythmic genius of Spaceship Billy and DJ Lambo, Burna moved through a setlist that felt like a journey through his eight-album legacy.

The Setlist That Shook Belgium

The night was a perfect blend of brand-new hits and the classics that built his empire. Fans were treated to high-octane performances of tracks from the new album, including:

• “Jogodo” (the lead single currently dominating charts worldwide)

• “Turbulence” and “Iskolodo”

• Special “home-soil” vibes with “Pardon”, his collaboration with Belgian legend Stromae.

But of course, a Burna Boy show isn’t complete without the anthems. When the first notes of “Ye” and “Last Last” echoed through the ING Arena, the 15,000-strong crowd became a choir, nearly drowning out the sound system.

A Tour for the History Books

The “No Sign of Weakness” tour hasn’t been without its headlines—from sold-out nights at Toronto’s Scotiabank Arena to becoming the first Nigerian artist to headline the iconic Red Rocks Amphitheatre. This final stop in Brussels felt like a victory lap for an artist who has spent the last few months proving that Afrobeats is a global language.

As he took his final bow, the message was clear: there are truly no signs of weakness in the African Giant’s camp. He came, he saw, and he conquered Belgium.

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FASHION SHOW:

The Paris Takeover: Davido, Omah Lay, Phyno, and Shallipopi Redefine Luxury with Hublot

If anyone still thinks African music and high fashion exist in separate worlds, they clearly weren’t in Paris last week. The City of Light became a playground for the continent’s biggest stars as Davido, Omah Lay, Phyno, and Shallipopi touched down for Paris Fashion Week 2026. But it wasn’t just about sitting front-row at the runways; the real buzz centered on their major styling collaboration with Swiss luxury watchmaker Hublot, proving that the “African Giant” isn’t just a nickname—it’s a global market reality.

For our 2 million Entertainment Daily readers, this wasn’t just a vacation for the stars; it was a high-stakes business trip that cemented Nigeria’s place at the top of the luxury food chain.

The Hublot “Art of Fusion” in Real Time

Hublot has built its entire legacy on the “Art of Fusion”—the idea of mixing traditional craftsmanship with futuristic, disruptive energy. It’s hard to find a better personification of that than this group of artists. Throughout the week, the stars were spotted rocking pieces that would make any horology enthusiast weak at the knees.

• Davido, the veteran of the group, was seen pairing his impeccable tailoring with the Hublot Big Bang, a watch that matches his “OBO” (Omo Baba Olowo) persona perfectly. Fresh off a massive headline show at the Paris La Défense Arena, Davido moved through the city with the grace of a diplomat, even meeting with the French First Lady, Brigitte Macron, to discuss cultural exchange.

• Omah Lay brought his signature “Purple” avant-garde energy. Known for his moody, artistic soul, he was seen at the 3.Paradis show styled in a way that bridged the gap between street-hop and high-end Swiss precision. His look was less about “bling” and more about the architectural beauty of the timepieces.

The “Pluto” Presence and the Jaden Smith Moment

Perhaps the most viral moments of the week belonged to Shallipopi and Phyno. The “Pluto Presido” and the “Ezege” were inseparable, moving through the streets of Paris with an entourage that practically stopped traffic.

The highlight? A link-up with Jaden Smith at the Christian Louboutin show. Jaden, who recently took on a creative role with the iconic red-bottom brand, was visibly hyped to see Shallipopi. In a video that set TikTok on fire, Jaden could be heard screaming Shallipopi’s name mid-event and jokingly asking how he could get a “visa to Pluto.” It wasn’t just celebrity theatre; it was a genuine recognition of how far the sound of Benin City has traveled.

The Power of the Front Row

Between the Amiri show—where Davido sat alongside boxing legend Canelo Álvarez and actor Jeff Goldblum—and the Rick Owens presentation, it was clear that these artists are no longer just “invited guests.” They are the influencers that luxury brands are desperate to court.

When Phyno stepped out, his style was a masterclass in “Quiet Luxury” mixed with “Igbo Royalty.” By wearing Hublot, he and the others are signaling a shift: African wealth is no longer just about spending; it’s about partnership. These stars aren’t just buying the watches; they are helping Hublot define what “cool” looks like in 2026.

Why Paris Matters

This week in Paris was a victory lap for the culture. From Rema deep in conversation with Rick Owens to Sarz and Joeboy popping up at the most exclusive after-parties, the message was loud and clear. African artists are the new global ambassadors of taste.

As they flew back to their respective corners of the world, they left Paris a little more colorful, a little louder, and a lot more “Real.” For Hublot, the gamble on Afrobeats has clearly paid off—the time for Africa is right now.

INDUSTRY INSIGHT:

Tyla’s Reign Continues while Wizkid & Asake Make History: Billboard U.S. Afrobeats Chart Breakdown

If there was ever a week that perfectly illustrated the “global” in global music, the Billboard U.S. Afrobeats Songs chart for January 31, 2026, is it. It’s a chart of two halves: a South African queen holding her ground and a Nigerian duo staging a total takeover.

For the Entertainment Daily community, these numbers aren’t just statistics—they’re a map of where the world’s ears are tuned. And right now, the signal is coming loud and clear from Johannesburg and Lagos.

The Queen of the Chart: Tyla’s Unstoppable Streak

At the very top, Tyla is currently operating in a league of her own. Her hit single “CHANEL” has officially logged its 11th week at #1, refusing to budge despite a flurry of new releases. This isn’t just luck; it’s a testament to her “Amapiano-pop” fusion that has captured the American imagination.

But it’s not just one song. Tyla currently holds three spots in the top five:

• “CHANEL” at #1

• “Water” (the song that just won’t quit) holding steady at #2

• “PUSH 2 START” sitting at #5

When we talk about “staying power,” Tyla is the blueprint. She has managed to turn viral TikTok moments into a sustained, multi-year dominance of the U.S. charts.

The Giant Leap: “Jogodo” Rewrites the Script

While Tyla is the queen of consistency, Wizkid and Asake are the kings of the “big move.” Their lead single, “Jogodo,” from the REAL, Vol. 1 EP, made an absolutely monstrous jump this week. It climbed a staggering 38 spots to land at #4.

This leap is one of the biggest in the history of the Afrobeats chart and follows the song’s record-breaking debut on Spotify Nigeria earlier this month. The “Starboy x Mr. Money” synergy is clearly translating to the American market, proving that the raw, authentic sound of the REAL project has resonated far beyond the streets of Lagos.

The New Guards and the Mainstays

The rest of the top 10 shows a fascinating mix of established icons and rising stars:

• MOLIY, Skillibeng, and Shenseea: Their collaboration “Shake It To The Max (FLY)” remains a staple at #3, proving the enduring appeal of Caribbean-African crossovers.

• Tems & Ayra Starr: These two continue to be the backbone of the chart, with “Big Daddy,” “First,” and “Hot Body” all maintaining strong positions, even with minor slips.

• The Rise of “Paparazzi”: One of the most exciting movements this week is Shoday & FOLA’s “Paparazzi,” which jumped 3 spots to land at #9. This viral hit has been the “sleeper” success of early 2026, and seeing it break into the Billboard Top 10 is a huge win for the next generation of Nigerian talent.

Final Verdict

The January 31 chart tells us that the “barrier to entry” for Afrobeats in the U.S. has never been lower, but the competition at the top has never been higher. Whether it’s the polished pop of Tyla or the rhythmic grit of Wizkid and Asake, African music is no longer just a trend—it’s the new mainstream.

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🌟 EMERGING ARTIST.

The “Bizzylingua” Prodigy: Is Mavo the New Prince of Afrobeats?

If you’ve spent any time on TikTok or scrolled through the Apple Music Nigeria charts lately, you’ve heard the name. You’ve definitely heard the slang. And you’ve almost certainly had the line “Your body na meat pie” stuck in your head. For our Entertainment Daily readers who have been asking: Yes, the rumors are true—Mavo is the real deal, and he’s taking over.

At just 22 years old, Oseremen Marvin Ukanigbe—known to the world as Mavo—is pulling off a feat most artists only dream of. While most students at Afe Babalola University (ABUAD) are worried about their midterms, this Edo State native is balancing his Optometry degree with a career that is currently blinding the competition.

From Ekpoma to the Billboard Charts

Mavo’s rise hasn’t just been fast; it’s been predatory. Emerging in 2023 with his debut EP Ukanigbe, he signaled a new era of Gen Z talent. Fast forward through projects like Sanko and the Kilometer series, and you’ll find an artist who has become the go-to collaborator for the industry’s biggest names.

By late 2025, Mavo wasn’t just on the charts; he was the charts. He pulled off the rare feat of occupying the top four spots on Apple Music Nigeria simultaneously. It was no surprise when Billboard officially crowned him the African Rookie of the Month in November 2025. With over 3.4 million monthly listeners on Spotify, he’s no longer a “rising star”—he’s a constellation.

The Secret Sauce: “Burbur Music” and Bizzylingua

What sets Mavo apart isn’t just his melody, but his world-building. He has pioneered what he calls “Burbur Music”—a raw, high-energy blend of Afrobeats, street-hop, and a unique linguistic style he calls “Bizzylingua.” Whether he’s talking about “burti” (his word for swag) or dropping viral hooks, his fans are obsessed. This infectious energy has attracted the “Big Three” and beyond:

• The “BODY (danz)” Effect: His collaboration with CKay turned a simple pastry reference into a global anthem.

• Heavyweight Co-signs: From the “Shakabulizzy” remix with Davido to the massive “MONEY CONSTANT” featuring Wizkid, DJ Tunez, and DJ Maphorisa, Mavo has earned the respect of the OGs.

• The Remix King: His track “Escaladizzy” became a cultural moment, pulling in verses from Zlatan, Shallipopi, and Ayra Starr.

The 2026 Vision

What’s most impressive about Mavo is the discipline. He is expected to graduate as a Doctor of Optometry by mid-2026. While he’s busy studying how to fix people’s vision, he’s simultaneously giving the world a new way to see (and hear) the future of Nigerian music.

With a raw street edge and a polished pop sensibility, Mavo isn’t just part of the new wave—he’s the one leading the tide. If 2025 was his introduction, 2026 is shaping up to be his empire.

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CROSSOVER SPOTLIGHT:

Young Jonn’s Wicked Evolution from Hitmaker to Heartthrob

In the fast-paced world of Afrobeats, it’s rare to see a total reinvention. Usually, people pick a lane and stay in it. But Young Jonn—the man whose tag “Young Jonn the Wicked Producer” soundtracked the legendary Olamide/YBNL era—didn’t just switch lanes; he built a whole new highway.

For this month’s Entertainment Daily Crossover Spotlight, we’re looking at how a behind-the-scenes genius stepped into the light and became one of the most consistent hitmakers of the decade.

The Architect of an Era

Before we had the “Jiggy” superstar, we had the producer who defined the sound of the streets. From 2014 to 2019, you couldn’t enter a club in Lagos without hearing his work. He was the sonic architect behind career-defining hits like “Bobo” and “Story for the Gods.” He had the keys to the kingdom, but for a long time, he was the one holding the door for others.

The Pivot: Finding the “Jiggy” Vibe

The transition wasn’t an overnight accident. It began with a quiet shift in 2022 when he signed with Chocolate City. Many skeptics wondered if a producer could truly command the stage, but Young Jonn answered with “Dada” and its massive remix with Davido. He didn’t just “try” to sing; he discovered a distinct, soulful, and catchy vocal style that fans immediately dubbed the “Jiggy” sound.

Jiggy Forever: The Ultimate Statement

If there was any lingering doubt about his status as a leading man, his 2024 debut studio album, Jiggy Forever, silenced it for good. The project wasn’t just a collection of songs; it was a global showcase of his range.

The crown jewel of the album, “Hold On,” saw Young Jonn achieve the ultimate co-sign: a feature from Wizkid. For a former producer to have the “Starboy” himself jump on a track is the equivalent of a knighthood in Afrobeats. But the star power didn’t stop there. The album boasted a heavy-hitting lineup including Don Toliver, Sean Paul, Zlatan, and Blaqbonez, proving that Young Jonn’s influence spans from Lagos to Kingston and all the way to Houston.

The Verdict

Young Jonn’s journey is a masterclass in evolution. He didn’t leave his producing roots behind; he used them as a foundation to build a skyscraper. With hits like “Aquafina,” “Sharpally,” and “Big Big Things,” he has mastered the art of the “earworm.”

He’s no longer just “The Wicked Producer.” He is a quintessential Afrobeats superstar, proving that sometimes, the person behind the boards is actually the biggest star in the room.

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CULTURE & COMMENTARY.

CULTURE & COMMENTARY: The Clash of the Titans—When the Afrobeat Legacy Met the FC Empire

In the world of Nigerian entertainment, January 2026 hasn’t just been about the music; it’s been about the fiery intersection of legacy, loyalty, and the digital age. The trending dispute between Seun Kuti—the youngest son of the pioneer Fela Kuti—and the formidable Wizkid FC has reached a boiling point, eventually drawing the “Starboy” himself into the arena.  

For our 2 million Entertainment Daily followers, this isn’t just a Twitter (X) “beef.” It’s a fascinating look at the tension between the “Old Guard” of Afrobeat activism and the “New School” of global Afrobeats stardom.

The Spark: Criticism vs. Fandom

The friction began when Seun Kuti, never one to bite his tongue, offered some polarizing critiques regarding the “Grammy-winning” status of contemporary artists. While Seun has often voiced his opinion that true Afrobeat is rooted in political struggle and specific musical structures, his comments were perceived by Wizkid’s fanbase as a slight against their idol’s achievements.

If there is one thing you don’t do in the African music space, it’s poke the hornet’s nest that is Wizkid FC. The fanbase responded with a digital blitz, digging up old clips and questioning Seun’s own musical impact compared to Wizkid’s global numbers. What started as a musical debate quickly spiraled into a deeply personal back-and-forth.

The “Starboy” Steps In

Usually, Wizkid remains the king of “Quiet Luxury,” rarely engaging in social media back-and-forths. However, as the tension escalated and the rhetoric moved from music to family and legacy, Big Wiz finally broke his silence.

While not naming names directly in every post, Wizkid’s involvement shifted the energy of the conversation. His stance was clear: he respects the foundation laid by those before him, but he won’t stand by while his journey or his supporters are diminished. When Wizkid speaks, the internet listens, and his intervention turned a trending topic into a full-blown cultural moment.

The Great Afrobeats Debate

This dispute highlights a growing divide in the culture:

• The Seun Kuti Perspective: Music should be a tool for social change, and the “Afrobeat” label carries a weight of responsibility that shouldn’t be diluted by commercial pop success.

• The Wizkid/FC Perspective: Success is its own form of revolution. Taking a Nigerian sound to the top of the Billboard charts and selling out stadiums worldwide is a different, but equally valid, way of empowering the continent.

The Aftermath

While the dust is still settling, the “Seun vs. FC” saga reminds us that the Nigerian music scene is more than just catchy hooks; it’s a space of intense passion and clashing ideologies. It’s a reminder that while we celebrate the global wins of ‘REAL, Vol. 1’ and the 10-billion-stream milestones, the roots of the genre will always be a point of fierce pride and protection.

In the end, whether you’re a fan of the conscious rebellion of the Kuti era or the global pop dominance of the Wizkid era, one thing is certain: the conversation around the music is just as loud as the music itself.

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ANNIVERSARY SPOTLIGHT:

A Decade of Dominance—The Hits That Turned 10 This January

As we flip the calendar to 2026, it’s hard to believe how far we’ve come. But to understand where we’re going, we have to look back at the foundation. If 2015 was the year Afrobeats truly “found its wings,” then January of that year was the takeoff.

For our Entertainment Daily readers, this month marks a 10-year milestone for songs that didn’t just top charts—they redefined the sound of a decade. Here are the classics celebrating their 10th anniversary this January:

The “Starboy” Anthem: Wizkid – “Expensive Shit”

While we are currently celebrating Wizkid’s 10 billion streams, ten years ago this month, he was busy bridging the gap between the legends and the new school. Released in early 2015, “Expensive Shit” was a masterclass in modernizing the Fela Kuti sound. It wasn’t just a song; it was a statement of luxury and artistic growth that proved Wizkid was ready for the global stage he now owns.

The Collaboration of the Year: Falz ft. Phyno & YCEE – “Karishika”

January 2015 also gave us one of the most clever crossovers in Nigerian rap history. Falz was just beginning to show us his genius for blending humor with lyricism, and bringing Phyno and YCEE into the mix for “Karishika” created a cultural reset. It was eerie, catchy, and remains one of the best examples of the “Badi-Baddo” era of collaboration.

The Love Anthem: Kiss Daniel (Vado) – “Woju (Remix)” ft. Davido & Tiwa Savage

Technically, “Woju” dropped late the year before, but January 2015 was the month the Remix took over the continent. By adding Davido and Tiwa Savage, the song became an inescapable force. It’s the track that cemented Vado (now Kizz Daniel) as a “no-skip” artist and reminded us why Davido and Tiwa are the king and queen of the genre.

The Street Gospel: Olamide – “Falila Ketan”

You cannot talk about 2015 without mentioning Baddo. While Street Ot was still ringing in everyone’s ears, January was when the deep cuts like “Falila Ketan” truly began to dominate every street corner and party in Lagos. It was raw, unapologetic, and 100% Olamide—the sound that gave birth to the street-pop movement we see artists like Shallipopi and Asake carrying today.

Why These 10 Years Matter

Looking back at these tracks from 2015, it’s clear they were the blueprints. The production was getting cleaner, the visuals were getting glossier, and the ambition was getting bigger. Ten years later, we aren’t just listening to these artists locally; we are watching them headline the Paris Fashion Show and break 10-billion-stream records.

These songs weren’t just hits—they were the beginning of the world finally waking up to the sound of Africa.

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THE JANUARY DROP-LIST:

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10 Fresh Anthems to Kick Off 2026

The first month of the year is usually a quiet time for the industry as everyone recovers from the December madness, but 2026 has been a total anomaly. Between surprise EPs and heavyweight collaborations, January has been a feast for the ears.

As we head into the final weekend of the month, here is the definitive breakdown of the top 10 songs that defined January—including the massive “New Music Friday” releases dropping tomorrow!

1. Wizkid & Asake – “Jogodo”

The undisputed heavyweight of the month. It’s the lead single from REAL, Vol. 1 and has been sitting comfortably at the top of the charts since the day it dropped. The chemistry between the Starboy and Mr. Money is the gold standard for 2026.

2. Omah Lay – “Angel” (Dropping Tomorrow!)

The anticipation for this one is at a fever pitch. Omah Lay is known for his “purple” soul and vulnerable lyrics, and from the teasers we’ve heard, “Angel” is a celestial, mid-tempo masterpiece. It’s expected to dominate the Valentine’s season playlists early.

3. Burna Boy ft. Fredo – “TBD” (Dropping Tomorrow!)

The rumors are true! Following the conclusion of his “No Sign of Weakness” tour in Brussels, Burna Boy isn’t resting. He’s linking back up with UK rap royalty Fredo for a gritty, transatlantic anthem dropping this Friday. Expect heavy bars and a beat that will rattle car speakers from Lagos to London.

4. Odumodublvck – “Techno”

The Big Gun is back! Odumodublvck has continued his 2025 momentum with “Techno.” It’s high-energy, unapologetic, and features his signature “Okpu Agu” flow that has made him the darling of the Nigerian rap scene.

5. Mavo ft. CKay – “BODY (danz)”

As we discussed in our spotlight, Mavo is the man of the hour. This track has become a global TikTok phenomenon this month, thanks to that infectious “meat pie” line and CKay’s butter-smooth vocals.

6. Ayra Starr – “Hot Body”

Sabi Girl has done it again. This track is a confidence-boosting anthem that has been all over the Billboard U.S. Afrobeats charts this month. It’s pop, it’s chic, and it’s 100% Ayra.

7. Shoday & FOLA – “Paparazzi”

The sleeper hit of the month. This song has climbed steadily through January, proving that independent artists with a great hook can still take on the giants. It’s the ultimate “vibe” song for a night out.

8. Tems – “Big Daddy”

Tems continues to show why she is in a league of her own. “Big Daddy” is soulful, rhythmic, and possesses that international appeal that keeps her at the top of the global charts week after week.

9. Young Jonn – “Hold On” ft. Wizkid

A standout from the Jiggy Forever album that gained massive traction this month. The link-up between the “Wicked Producer” and Wizkid is a masterclass in smooth Afrobeats.

10. Shallipopi – “Pluto Lifestyle”

The Presido of Pluto delivered a fresh anthem for his “Evian” family this January. It’s high-energy street-pop that has become the soundtrack for every major club in Nigeria this month.